Ornaments of the gold carry a symbolic value because gold as an element stands for resilience, purity, and prosperity much like the hypothetical tales presented likewise. Changing narratives have often left the sixteen items dynamic. To narrow down or to claim these are the perfect sixteen would be a mistake.
The point between eyebrows is inclined to unease and tension. Massaging this point daily through the application of a bindi helps in relaxing the muscles and nerves in this area and thus sending a calming tone for the body. Vermillion powder or Sindoor contains turmeric, lime, and a minute level of the metal, mercury.
When applied to the hair partition, the elements help in cooling down the body. A maangtika adds appealing aesthetics to the face. Not only this it helps in regulating heat emission from the body.
The Kajal not only brings out the beautiful shapes of the eye but it also helps in keeping eyes healthy. Organic kajal made of coal and cooper possesses anti-bacterial properties. Piercing the nose near a particular point on the nostril helps in lessening the pain during monthly periods in women. Ear piercing and earring wearing are a remedy for menstrual problems and in addition, have an acupuncture effect on the body.
Application of mehndi can help prevent stress because it cools the body and keeps the nerves from becoming tense. Despite being beautiful and vibrant, the bangles help in increasing blood circulation in the hand. Adding another layer of auspiciousness, the Rajasthani and South Indian brides are seen wearing this ornament on their upper arm of the hand. Rajasthani and South Indian brides usually wear this ornament on their upper arm of the hand as it is considered auspicious.
They are a reminder for controlling women from putting on weight, especially around the hips and belly. Ornaments such as jasmine flowers were traditionally worn as they were aesthetically pleasing and in addition, were preferred for their long-lasting fragrance. It keeps the wearer fresh all day long. Rings pressurize fingers. Therefore, connecting some part of the body or brain rings act as acupuncture for the fingers.
However, not thumb. Wearing an anklet adds rhythm to the movements. Not only this it adds to the foot strength of the wearer. With time only the traditions have transcended. So, history has left behind the logic, essence, and stories. What is your connect and disconnect to this tradition? In popular culture, women wear colorful Ghaghras and men wearing Turbans and Dhoti […]. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment.
Solah Shringar: History vs Changing Narratives. History According to Hindu philosophies, women are a form of Sakti, the Goddess of power. Symbolic Value While the narratives are all different from one another, the continuous use of gold ornaments has been constant throughout history. The 16 ornaments or maybe more Changing narratives have often left the sixteen items dynamic.
Bindi The point between eyebrows is inclined to unease and tension. Gajra: Gajra is strings of flowers. It is made usually of jasmine and worn both on the bun and with the braid coiling.
Mang-Tikka mang-teeka or Bhor, borla or Mang-patti Generally made of gold, silver and precious stones, Mang-tikka is worn in the center parting of the hair and it comes till fore head. The other type of Mang-tikka also have chain which is tied along the hairline of the hair. The allure of the bride is highlighted by this ornament. Mandoria is other regional hair ornaments which consists of a strand of pearls, tied across the forehead on either side and can usually be seen on a Maharashtrian bride.
Sindoor vermillion. Sindoor is a red colored powder that is applied on the center parting of a bride hair. This is one of the sacred symbol of married woman Suhaag in India, just like ring in western countries. Girls do not put Sindoor before marriage. Bindi or tikka or tilak. The Bindi has a strong religious implication and is a sacred symbol of a married woman. Traditionally, it is the circular red dot of vermillion powder placed on the center of the forehead but brides may also decorate the bindi with red and white dots around the forehead and along the eyebrows.
The bindi symbolizes dedication towards her husband or the resolve to the marital relationship. Kajal was traditionally prepared from the soot of diya earthen lamp lit with a wick placed in clarified butter.
Today many girls use a strong black pencil eyeliner to achieve the kohl look. Nose Ring Nath : Nose ring is by far one of the most traditional and ethnic Indian looks. A nose ring consisting of clusters of pearls or other gems including diamonds is worn on the left nostril. In some areas of India the nose ring is never removed and thus, becomes another visible sign of a married woman. For special ceremonies and worships special nose rings is worn with a chain, which extends behind left ear.
Ear Ring, Karn Phool or Jhoomars Ear rings may consist of elaborately decorated large round ornaments. The weight of these ornaments is often supported by a chain passing over the crown of the head. Some earrings hang from the lobe and end in a large elaborately decorated pendant. Other ornaments cover the entire ear. Necklace, Haar, Mangal Sutra Necklaces of different lengths, some arranged like a collar or choker, are strung with pearls, gold pieces, and gold beads.
Necklaces made from floral garlands are also worn by the bride. The most traditional haar is the mangalsutra, given by the husband on the wedding day. It is made of black beads. Armbends, Baaju-band or Armlets Armlets worn on the upper arm, may be set with pearls or diamonds and made of gold or silver. The Mughal, Rajasthani or Jaipuri are the most popular designs of baajuband. Choodiyan, Bangles, Bracelets Because they are considered the most visible sign of marriage, bangles or bracelets are another most important adornments worn by the bride.
Bangles may be made of iron, ivory, green or red glass, ceramic, gold, and other metals depending upon the custom. Sikh and Punjabi brides add Kaleeras to the bangle set. Mehndi or Henna The hands and feet are covered with intricate mehndi designs made from henna. The resulting red color is considered to be auspicious because it has several emotional, sexual and fertility-related qualities. Henna signifies the essence of love and applied on the hands and feet of the bride, to strengthen that bond of love.
In some traditions it is believed that the longer line of the vermilion will lead to the longer life of the husband. The Vermilion no longer comes only in powdered format but the liquid vermilion has also become trendy because of its easy use. The beautiful bride can become a victim of someone's evil eye and therefore since ancient times the Kajal has been used as a protector of the bride against the evil eye.
The Kajal is applied along the eyelash line and waterline of the bride. This is also an eye cooling agent and adds glamour to the bridal look. Earlier, the Henna leaves were dried and ground and then applied on the hands of the bride. Now ready made Henna is used. The deep colour of Henna is believed to signify the love which the bride receives from her husband. The Mehendi is applied on the hands and feet of the bride and the Mehendi design has a huge variety.
The Mehendi function is an important ritual in the Hindu marriages. The beautiful fragrance coming from the bride is the depiction of her sensuality and beauty. The bride wears the perfume throughout her wedding. The perfumes also come in various varieties and natural perfumes are becoming trendy nowadays.
The hair-do adds a lot to the bridal beauty. The bride when seen from behind can be recognised by her beautiful hairstyle as well. The Gajra is usually made of jasmine flowers. The southern part of India is more fond of Gajra and everyone from young girls to married women wear gajra regularly.
In every culture, there are many jewels that a bride must wear after her wedding, according to cultural or religious customs. These jewels represent certain beliefs and values, and these make a bride look spectacular and majestic on her big day. Jewellery plays a huge role in any traditional Indian Hindu wedding. Solah Shringar, which is a well-known term among Indians, signifies the accessories necessary for a married woman; and many jewels feature in it.
While attires vary from state to state, brides from everywhere tend to follow the ritual of Solah Shringar. It is a tradition that every Indian Hindu bride should adorn herself with these 16 essential accessories on her wedding day. This list of items aims to celebrate the bond of marriage and a woman's femininity, health, fertility, and well-being by enhancing the look from head to toe.
Solah Shringar includes a great deal of jewellery and it is thought to intensify the bridal appearance. So, let's discuss the beauty and significance of Indian jewellery that is essential in a traditional Hindu wedding. The Maang Tika is getting back its former charm as modern brides are returning to their roots and appreciating this beautiful bridal accessory.
Maang Tika is an essential part of the bridal look so it is mostly in the same design and metal as your earrings, necklace etc. Maang Tika is worn across the centre-parted hair and it is hung down towards the forehead. This accessory looks adorably Indian and it has the option to be chosen in a size that suits your face. The bride can go with a heavy Maang Tika if she has a larger forehead. For those beautiful brides with smaller foreheads, the smaller one will look much better.
Therefore the Maang Tika represents the union of a bride and groom on all levels which include emotional, physical and spiritual level. The Haar is usually of a marvellous design. The traditional necklaces were usually only created with gold but the modern necklaces are adorned with pearls or diamonds or coloured gemstones, that too, not only in yellow gold, but also, in white and rose gold. It is also true that Indian diamond jewellery is becoming very famous among the fashionable brides -to- be, seeking to shine on their most memorable day.
The necklace is created to cover the uncovered area of skin above the neckline of the bride. The Haar is therefore always made with vigilance, and attention to minute details and is large in size to look glamorous and majestic. The mangalsutra, which is crafted in gold along with black beads and occasionally featuring diamonds, is also a necklace which is worn by the Hindu brides from almost all parts of India on their wedding day and even after marriage to indicate that they are married.
Each community which has this tradition of wearing mangalsutra has its own design for the necklace. The earrings are always paired with the necklace, for obvious reasons. The beautiful coordination of the designs of all the wedding jewellery in India is the secret behind making the Indian bride a mesmerizing beauty. Similar to the necklaces, the earrings worn by the Indian brides are supposed to be heavy in order to match the set, yet some brides prefer the more delicate pieces, for they are to be worn the whole day, and heavy ones may be uncomfortable to carry.
One should make sure that one chooses earrings and all the jewels keeping the wedding outfit in mind. To exemplify, diamond jewellery is best suited with subtle coloured lehengas or wedding sarees.
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